#AudiotentTip 106. Processing in solo. When processing individual channels it’s very tempting to work with the track being solo’d, however this is not always best practice. Always listen to how … Read More
Using low pass EQ
#AudiotentTip 103. Low Pass EQ. Removing any unnecessary sub frequency rumble from elements that don’t need it seems like common advise. This works great for creating space in the mix … Read More
Our 5 best tips for processing synth bass
#AudiotentTip 96. Our 5 Best Tips for Processing Synth Bass. Getting your synth bass sounding just the way you want is only the first step. Next, you have to fit … Read More
EQ Tip
#AudiotentTip 41. EQ Tip. Cut the higher frequencies to push the sound away, boost them – to bring up front.
Extreme EQ Curves
#AudiotentTip 36. Extreme EQ curves. If you find yourself maxing out on your equaliser bands, it’s likely that something is wrong with your sound. Try replacing it to avoid filtering … Read More
How To Fit Reverb Into The Mix
#AudiotentTip 030. Fitting the reverb in the mix. If the reverb is not used as an obvious effect, it should generally sit very low in the mix. This way your … Read More
Kick Sub Frequencies
#AudiotentTip 028. Kick – Sub frequencies. The faster your track is, the less sub frequencies you will need on the kick drum. Try either high passing it around 30-50Hz, or … Read More
Wide EQ Bandwidth
#AudiotentTip 027. Wide EQ bandwidth. Try extending the bandwidth of the eq boost to it’s maximum. Keeping the boost small and wide usually sounds more natural.
High Pass Filter – Help Create Room For Your Kick
#AudiotentTip 026. High pass filter. Apply a high pass filter to your non-bass instruments. This will create room for your kick and bass, making them stand out in the mix.
Low Pass EQ
#AudiotentTip 103. Low Pass EQ. Removing any unnecessary sub frequency rumble from elements that don’t need it seems like common advise. This works great for creating space in the mix … Read More