#AudiotentTip 004. Increase the Q value of high & low pass filters to emulate a curve closer to an analog EQ.
#AudiotentTip 001. If you’re looking to make your kick cut through a busy mix try this technique. First, find a very short closed hi hat sample. Reverse the sample and … Read More
#AudiotentTip 102. Compressor Sidechain Filter. When applying compression on bass heavy material or across a final mix, try enabling the sidechain high pass filter. This will stop the compressor from … Read More
#AudiotentTip 103. Low Pass EQ. Removing any unnecessary sub frequency rumble from elements that don’t need it seems like common advise. This works great for creating space in the mix … Read More
#AudiotentTip 104. Convolution Reverb. Algorithmic reverbs tend to be more flexible due to their design. However, using an impulse response based convolution reverb is a great way to achieve a … Read More
#AudiotentTip 105. 3 ways to thicken your bass. 1) Apply some tape saturation to give the bass more body and midrange. 2) Use parallel compression to extend the bass tails … Read More
#AudiotentTip 89. Kick Transient. Technique A) If you find your kick lacks bite and doesn’t cut through the mix, split it right after the transient. Duplicate the transient onto another … Read More
#AudiotentTip 106. Processing in solo. When processing individual channels it’s very tempting to work with the track being solo’d, however this is not always best practice. Always listen to how … Read More