Dynamic EQ Sidechain Technique

Dynamic Eq Sidechain Technique

#AudiotentTip 012. Use dynamic eq to side-chain a specific frequency area. E.g. select kick drum as a source, add a dynamic eq on the bass and only attenuate sub frequencies, … Read More

Emphasise your drop

Emphasise your drop

#AudiotentTip 011. Here are a few ways to emphasise the impact of the drop: • Automate a high pass filter to remove the low frequency energy right before the drop. … Read More

Creative Panning Techniques

Creative panning

Get creative with your panning, here are three techniques we use: • Automate to increase your pan amount and rate over time. This works particularly well for riser and fall … Read More

Layering Snares

Layering snares

#‎AudiotentTip‬ 009. How do you make your snare sit in the mix? We like to layer organic sounds on top of synthetic sounds. e.g. adding a one shot shaker to … Read More

Using Tilt EQ

Tilt eq

#AudiotentTip 008. Tilt EQ’s simultaneously boost one end of the frequency spectrum while attenuating the other. Use them to quickly brighten or darken your tracks.

Tempo synced reverb pre delay

Reverb pre delay

#AudiotentTip 007. Add a delay before the reverb on your send channel. Set the delay’s dry/wet signal to 100% wet and feedback to 0. This allows you to have a … Read More

Tight Punchy Bass

Tight punchy bass

#AudiotentTip 005. When designing a tight, punchy bass preset, make sure you reset the phase of the oscillator.

How to Emulate Analog EQ

Analog eq

#AudiotentTip 004. Increase the Q value of high & low pass filters to emulate a curve closer to an analog EQ.

Mono compatible elements

Mono compatible elements

#AudiotentTip 003. Keep an eye on your correlation meter, if elements go into minus try reducing the width to make it more compatible in mono.