Audiotent Tip #432 // Frequency Shifter Transition Effect Transition FX are the final gloss in your mix and arrangement. They tell the listener a change is about to happen and … Read More
Processing Lo-Fi Techno Synth Stabs
Audiotent Tip #431 // Processing Lo-Fi Techno Synth Stabs There are multiple ways to create a synth stab for techno. Our aim for this tutorial is to achieve a very … Read More
Ring Modulation for Creative FX
Audiotent Tip #430 // Ring Modulation for Creative FX A really interesting way to add spice to your FX sounds is to use a ring modulator. Applying this effect to … Read More
Melodic Ambience Resampling
Audiotent Tip #429 // Melodic Ambience Resampling Background textures are an excellent way to add cohesion to your track. We can use recorded sounds from natural spaces, vinyl crackles and … Read More
How to create drone FX
Audiotent Tip #428 // How to create drone FX An often-overlooked area of production is FX. A well placed and designed sound effect can really help set the tone of … Read More
Kickstarting your creativity
Audiotent Tip #427 // Kickstarting your creativity For a lot of producers, opening up your DAW and staring at a blank canvas can be very intimidating. It can cause anxiety … Read More
Using Melodic Loops
Audiotent Tip #426 // Using Melodic Loops Sample pack melodic loops are an excellent way to kick start new ideas or to use as the main melodic idea in your … Read More
Kick Saturation
Audiotent Tip #425 // Kick Saturation If your kick feels too soft and lacking drive, try processing it with saturation or distortion. Added harmonics will push the sound forward, making … Read More
Crispy Techno Hi-Hats
Audiotent Tip 424 // Crispy Techno Hi-Hats There are multiple ways to create and process techno hi-hats. Recording drum machines or layering the top loops seems a common practice. However, … Read More
Processing Organic Techno Percussion
Audiotent Tip 423 // Processing Organic Techno Percussion When programming percussion, drum machines become the obvious choice. However, this can lead to limitations with sound selection. One way to overcome … Read More